Black love poetry contains the poetry of a new breed of younger African writers
In today's Black Love Poetry, there is clear evidence of a new breed of African poets and novelists. Much of what my pages contain from Africa on Black Love Poetry are historical and rather dated. This contrasts with the contributions I have included from writers across the Atlantic. My musings on the topic led me into the appreciation that my content would be lopsided and inaccurate if I omitted to include an update which incorporates the works of a variety of new and youthful breed of African writers. These newer breed are making their mark as the inheritors of the older school of African writers who straddled Africa's colonial past and her painful birth pangs as an independent continent. Their published works are now a feature of much modern literature and are marked by precocity in style, content and delivery. In order to redress this imbalance, here then are some of the modern black love poetry of one such tyro who has recently published a debut volume of his love poetry. Charles Ayo Dada is a worthy contributor to my page on black love poetry. His love poetry speaks out most eloquently to the love lorn everywhere. Anyone who has suffered the adolescent pangs of unrequited passions would readily identify with much of what you are now about to read, dear reader.
Here are the first two offerings of the soul baring black love poetry of Charles Ayo Dada:
ALL IN VAIN
As the years rolled by I fermented you like wine And you tasted better With each passing day.
My patience was extolled
And in my cellars were you stirred, ripened And eventually matured.
Each passing day
Took some bitterness away Till you became sufficiently sweetened To flow into my vessels.
But out of obscurity
A vessel was brought forth . .. By another! And into this vessel did you flow!!!
What make of vessel
Was brought forth so
That numbed your senses so deep . . . You wouldn't take a look back?!
I cannot describe the pain
No matter how hard I try The wine that took me so much to make . .. I wouldn't even taste!
CONQUISTADOR
I loved her dearly And so we strolled Hand in hand Side by side.
I loved her too much
And I didn't want her worn So I bought her a stallion That she could use in trotting alongside As I strolled.
But she galloped away!
Saying she'd ride by me no longer Maintaining that only kings and queens And not peasants Could ride on stallions!
I then pleasantly reminded her
That it was I who had bought her the stallion! She replied by saying That I was petty and envious.
So I drew my sword
And cut off the limbs of the stallion!
After all
It was my stallion!
The stallion died.
The maiden crashed.
And as she cried out for help
I turned around to give her a hand Whispering softly into her ears: "Couldn't the kings and the queens come to your rescue?!"
Now you see what I mean about the nature of the bitter sweet black love poetry offered by Charles Ayo Dada. Here are three more for your appreciation: STALEMATE We hid behind the smokescreen of lust Where much non-chalance was permissible. Paralysed by the emanating radiations You didn't care I didn't care. Such was the ride On the roller coaster.
A gust of wind
An incandescent glow Cleared the hazy smokescreen Before my gaze.
You didn't care.
I cared! Parallel lines were drawn And our union was no more!
It's always a heated battle
... Whenever love and honour duel
INCOMMUNICADO
We stood motionless and mute Staring at one another. Struggling to communicate Like two deaf and blind persons.
One half of me
Wanted to reach out to you But the other half Was obstructing it.
Deep down
Lay a love so strong But our egos suffocated this love!
So in this boundless show
Of vanity and pride We failed once more In this union to attain The melodious music From the unplucked strings Of our fallow guitars! These are quite brilliant examples of black love poetry! What a treat on offer from Charles Ayo Dada. The lines that strike me most are from "Stalemate"....
"It's always a heated battle
... Whenever love and honour duel"
FOR THE SAKE OF A ROSE. . .
I thought I'd never get there. I was dizzy And my raiment was soaked in blood.
I had been stabbed by thorns
... On the way to a rose!
Yet, it was the sweet fragrance
The astoundingly beautiful petals And the unparalleled beauty of the rose That assured me That if I did get there It would be worth my while.
... And I did get there!
Though my hands were torn
And my raiment sullied It was in those soiled hands That the rose appeared most dazzling!
And once mine
I forgot all about the arduous journey
The classic Soul Mate and the quite brilliant soliloquy, Of Men and Love which comes across as a personal credo of this quite gifted prime exponent of Black Love Poetry, brings the page to a conclusion: SOUL MATE Soul mate - Would you care to sit beside me Where as stylus I'd be permitted to ascend much higher On the rungs of inspiration.
Would you oblige me your presence
To enable me storm the firmament Where I'd liaise with spirits of the poets of old And convey across to mankind Their tidings of love.
Would you?
OF MEN AND LOVE
Be it not of men to write of love Then a man I cease to be. Be it not of men to express their feelings Then, what's this thing about me? But, be it of men To sternly wield the sword And then to gently cup the rose; Be it of men To brusquely shovel the earth And yet crave the tender caress; Be it of men To set out to battle bravely And return surging and bubbling with feeling; Be it of men to be all of these Then, a man I seek to be! Be it not of men to shed their tears Then I wonder what I am. Be it not of men to reveal their hearts I must fear for what I've become. And yet I firmly believe: That a man should be as strong As he should be meek; That a man should be as courageous As he should be true; That a man should learn from the old And as well seek the new; Above all That a man should seek an experiencing of love In its pure and truthful Childlike and simple Kind and yet severe - Just and mercifully beautiful form! Where spirit leads and intellect follows And soulfulness triumphs valiantly over base and narrow feelings. Be it not of men to speak of love Then a man I cease to be. If this is illustrative of the quality of the current output from the younger generation of black love poetry from Africa, then dear reader, you will forgive my inclusion of further postscripts on the genre...
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